Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.8 m Filter Diameter: 67 mm Size: 78 mm (diameter) x 82 mm (length) Weight: Approx. Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. This is one of the best Sony lenses a beginner can get. Most of the advantages of G Master lenses over regular Sony lenses, or even Zeiss lenses, are admittedly a little hard to quantify by the average photographer. Discover our high quality range of over 40 interchangeable camera lenses including A-mount and E-mount lenses crafted for a range of shooting situations. Best Sony lenses 2021: 16 top lenses for Sony mirrorless cameras By Matthew Richards , Amy Davies 23 July 2020 There's now a E-mount lens to suit pretty much any occasion Bokeh produced by the 35mm f/1.4 is simply amazing. Autofocus, electronic aperture APS-C E ... the autofocus version of the similar full frame manual focus … 28mm allows you to get up close to the action, whilst still providing enough ‘room’ in the frame to tell the story via the background, or other foreground elements. At the end of a long wedding day, the last thing I want to attach to the front of my camera is a big, heavy lens like a 24-70, and 28mm allows you to get stuck right into the crazy dance-floor action, making the viewer feel truly immersed. For zooms, the f/2.8 G Master lenses are the cream of the crop, whether you own FE or E mount. Sure, your smart phone’s ‘portrait mode’ may be able to do something similar, but the process is much slower with the mobile phone and its fancy A.I. While it is hard to beat this e-mount lens, you will want another lens for taking close-ups of people. Designed by Sony for their New E-mount eXperience (NEX), the E-mount supplements Sony’s A-mount. I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! Distortion is typical for a 24-70mm lens, with pronounced barrel distortion at 24mm, although it’s all easily fixable in Lightroom. 16-35mm has also become popular with wedding photographers, particularly on the dance floor of all places. Its wide aperture allows for better pictures in poor lighting. If you’ve never shot with a 24-70mm lens before, you’re in for a treat. ), and this one from Sony is no different, at 630 g (22.22 oz). I’ll be uploading some sample photos I took in Tokyo soon, but in the meantime, have a read about this incredible lens. 35mm is also a great focal length as discussed previously, but the advantage of this lens isn’t to be able to shoot at 16mm or 35mm, but rather, having the flexibility to alter the field of view between these two distances. Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. The T* in its full name (Sony FE 55mm f/1.8 ZA Zeiss Sonnar T*) refers to Zeiss’ anti-reflective coating, which improves detail, contrast and clarity, particularly in strong light. I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. It’s by no means an exhaustive list since every photographer’s needs are different. Weight: 22.3 oz. If you are ok with manual focusing lenses and are looking for something optically very sharp and at a reasonable budget then the Samyang 85mm f/1.4 is an excellent choice. The lens, however, is good for far shots of people. The ‘Distagon’ in its full name (Sony FE 35mm f/1.4 Zeiss Distagon T*) refers to a lens design which helps reduce distortion. The list above will help you buy the best Sony e-mount mirrorless lenses this year. One unique advantage of the 28mm f/2, is that Sony also produces two handy converters that can change the focal length of the lens – this one that makes it 21mm; and another one that makes it a 16mm fish-eye! Build quality is top-notch, as you’d expect from a Zeiss lens. This lens can make some facial features in the foreground appear quite large. One problem with it is its weight. NEX stands for “New E-Mount eXperience”, with the branding no longer used on newer Sony cameras. 200 g. Along with the aforementioned 35mm, the Sony 28mm f/2 was the second of 3 lenses I bought when I switched from Nikon to Sony this year. Similarly, it can mean the difference between a noisy image (where a higher ISO is needed to capture enough light), and a clean one (where using f/1.8 allows you to use a lower ISO). It makes the camera a joy to hold, has excellent image quality and won’t break the bank. Let’s break those words and abbreviations down: Other Sony lens abbreviations you may see include: In the reviews below, I’ve removed the superfluous lettering after the main elements of each lens name in the interests of simplicity – feel free to click through to each lens on Amazon to see the entire lens name. It’s a pricey beast of a lens, but it could be the only lens you ever need. Solid wide-angle lens with … Zeiss E-Mount Lens Guide >> Sigma E-Mount Lens Guide >> Tamron E-Mount Lens … Despite different branding, the … 24mm is wide enough to get the entire church or that epic landscape shot, and 70mm gives beautiful compression for a bridal portrait. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.29 m Filter Diameter: 49 mm Size: 64 mm (diameter) x 60 mm (length) Weight: Approx. At half the weight of the camera body, it’s the perfect complement to the slender Sony APS-C sensor bodies. On a full frame camera, 35mm is incredibly versatile. Highly recommended! Sony a7 Series: The Best Digital Cameras for Manual Focus Film Photographers. Remember that FE lenses can be used on all Sony mirrorless cameras (at a 1.5* focal length multiplication). If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the Sony 55mm f/1.8. Sony E Mount lenses are designed for Sony mirrorless camera bodies. While Sony has plenty of e-mount lenses, it can be hard to choose the right one. FE refers to a lens designed to cover a Sony full frame (35mm) sensor. Since APS-C sensors are smaller, the FE lenses can also be used on the Sony APS-C sensor range (also known as NEX), albeit at a 1.5x focal length and maximum aperture multiplication. There’s no doubt that this Sony 24mm f/1.8 is the best standard wide angle lens available for crop sensor Sony E mount cameras, but its price definitely isn’t for everyone. As long as you get close enough to the subject, you can get impressive bokeh even at 24mm. If you’re coming from Nikon or Canon, you’ll be used to the high price of f/2.8 zooms, the price is more easily justified – there’s a lot of crazy engineering that goes into producing a fixed-aperture lens of this caliber. 35mm is ideal as a walkaround lens, wise enough for landscapes or architecture and still good for an environmental portrait. The focus falloff from these razor sharp in-focus elements to creamy bokeh is gradual and subtle, and the bokeh itself is beautifully smooth. However, it’s still not quite as good as the Sony GM version :-). Build quality is all-metal as to be expected from Carl Zeiss, and it’s a huge step-up from the plasticky kit lens. As with the 55mm f/1.8 we discussed earlier, the 85mm f/1.8 achieves incredible amounts of detail – zooming in 100% with the Sony A7R III files is mind-blowing. That lets in an incredible amount of light. Using Canon lenses on a Sony body is definitely possible via adapters like these, and it’s fun to experiment with other 3rd party lenses too, but I always recommend using a native lens where possible. The Best Sony Macro Lens for 2021. 00 Sony SELP1650 16-50mm OSS Lens: Sony E PZ 16-50mm f/3.5-5.6 OSS Lens … Rokinon 14mm F2.8 Full Frame Ultra Wide Angle Lens For Sony E-Mount. 630 g. Still on the classic 35mm focal length, the Sony 35mm f/1.4 is my recommendation for Sony full frame shooters. Auto-focus performance is just as good as any DSLR equivalent I’ve shot with. I don’t want to spend too long trying to compare these two excellent lenses, since neither is the ‘right’ choice. It’s hard after all to differentiate between very good and great, when lens quality is already more than most of us will ever need. At f/1.8 there’s slight corner softness, but nothing that distracts, and if you get close to your subject, you’re rewarded with some beautiful bokeh thanks to 7 rounded diaphragm blades. Opening up your aperture to f/1.8 can mean the difference between a blurry image (caused by too slow a shutter speed) and a sharp one, (where using a wider aperture allows a faster shutter speed). Made in Thailand, this is the best budget E-Mount lens for your Sony camera. Find the perfect deal for Sony E-mount Manual Focus Camera Lenses with free shipping on many items at eBay. Sony doesn't sell any manual focus lenses, but others do. Sony does make 50mm 1/.8 lenses for both E and FE mount cameras, but this 55mm is faster to auto-focus and sharper, making it definitely worth the additional expense if you plan to use it a lot. Most people would want a lighter lens than this. One downside with f/1.4 lenses across the board is their size/weight. Simple – because it’s the best. They feature an internal focus design so that the lens does not change size while focusing to minimize … Lightweight and high quality, this is another best Sony e-mount lens for everyday use. 55mm f/1.8 offers a versatile focal length that’s perfect for shooting portraits, and delivers class-leading sharpness and first-rate Zeiss quality. If you’re coming from another camera system and have always used f/1.4 lenses, give the 85mm f/1.8 a shot before sinking your cash into other options. Colour rendition is excellent with the Sony 24mm f/1.8, and images are clear, vibrant and contrasty, but this obviously depends too on the camera used. On a cropped sensor Sony mirrorless camera, this lens will give roughly a 50mm field of view (52.5mm), which is ideal for a whole range of subjects. As for image quality, this is another f/1.8 Sony lens that really excels with its sharpness. It’s my ‘money lens’, a real workhorse that delivers great-looking images over and over, and allows me to shoot in near darkness with no flash. To give you a bit of background, I used to shoot with two Nikon D750s, with 35mm and 85mm f/1.4 lenses (see my gear set up here). Weight: 8 oz. If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. Lenses labeled ‘E’ cannot be used on FE-mount cameras (a7 and a9 series). Its light weight and diminished size make it a perfect walk-around lens when mounted to a Sony mirrorless camera, making this lens an extremely popular choice with street photographers. That’s why having a ‘fast’ lens with a large (f/1.8) aperture like the 35mm f/1.8 is such a big help. Very ideal for sports or nature shooting, the Sony FE 16-35mm G Master has to make this list for this obvious reason. You can also choose between a tactile click or a silky-smooth roll when twisting the aperture ring. FE lenses can be used on E mount cameras, but E lenses cannot be used on FE mount cameras. In actual fact, it turned out to be much more than that…. If you want to know what lenses to buy for your Sony camera first, this quick summary should help: If you’re looking for an affordable, fun and tiny prime lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick. Thanks to this buying guide you will know exactly which E-mount lens … It makes the camera a joy to hold, has excellent image quality and won’t break the bank. This lens mount adapter allows any Canon EF/EFS Lens to fit on any Sony E-mount mirrorless camera perfectly. The images I’ve shot professionally with the Sony 85mm f/1.8 look fantastic at f/1.8, but to me, the lens really excels when stopped down to f/4~f/5.6, where images become even more contrasty and sharp, almost leaping off the screen. Distortion is minimal, but this is probably due to Sony mirrorless bodies which correct most distortion in-camera. See where I’m going here? f/1.8 on an 85mm lens looks great to me, and at only 371 g, it’s the perfect complement to a lightweight Sony mirrorless body. Zooming in 100% on images shot with the 55mm f/1.8 attached to a 42MP a7R III is mind-blowing – individual eye lashes look like wires on head shots which fill the screen with the 55mm. 16mm allows for some crazy, in-your-face moments to be captured, and the versatility of zooming out to 35mm allows you to capture wider angle for when the action becomes more varied. The Standard E-mount series is ideal for the APS-C and Super-35mm image format. If portability is your primary concern the f/2.8 model is the best choice, but the lens I’m about to tell you about below is much better…. As for image quality, the 24mm f/1.8 is impressively sharp right across the frame, especially when stopped down to f/4. This is quite possibly the best Sony E-mount lens you can buy. Highly recommended! Lens reviews is a collection of real world tests and reviews of vintage lenses adapted to Sony e-mount, mirrorless cameras - the A7s, A7iii, a6500, and a6000. Sony 18-135mm F3.5-5.6 OSS APS-C E-mount Zoom Lens, VILTROX 20mm f1.8 Wide-Angle Fixed/Prime Lens for Sony E-Mount, Sony E 55-210mm F4.5-6.3 Lens for Sony E-Mount Cameras, Sony FE 16-35mm f/2.8 GM (G Master) E-Mount NEX Camera Lens, Sony 16-50mm f/3.5-5.6 OSS Alpha E-Mount Retractable Zoom Lens, Get the Best Drones for Aerial Photography and Videography, New optical design for excellent peripheral sharpness and contrast, Defocusing effects, 7-blade circular aperture, Double-gauss configuration suppresses field curvature & distortion, Fast DC motor focus actuator system drives all lens groups, Dust and moisture resistant for robust reliability, Stable video capture and low light performance, Best for sports or nature shooting video capture, Ideal for precise, comfortable manual focus adjustments, Internal focusing for smooth, quiet operation, Smooth, responsive AF possible with minimum noise, Smooth zooming with superb operability and quietness, Fast to focus and set exposures accurately, Shortening the flange focal distance to 18 mm. 1. So, without further ado, here are the best Sony lenses. A wide angle zoom lens with the best image quality and can justify the price tag. Sony’s contactless linear motors eliminate gears and mechanical couplings. However, I believe that whatever your profession and whatever the camera you own, it’s always a good decision to invest in the best possible lens you can afford… and in this case, that’s the Sony 24mm f/1.8. As a rule of … With the incredible high ISO performance of Sony full frame cameras, you won’t miss the 2/3 of a stop when the sun falls, and you won’t miss it even if you’re a bokeh-whore! If you are new to manual lenses we recommend that you read our beginner’s guide to manual lenses on the Sony a7 series first.. Manual Lenses on a Budget. With the sun at your back, images out of the 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. The cheapest AF full frame E-mount lenses are the Sony 1.8/50 and the Samyang 1.8/45. ), and have selected what I believe are the best options for all-round use. This is the list of lenses I’d provide any friend who’d just invested in a Sony full frame or crop sensor body. However, in most normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn’t an issue. … A nice touch is a ‘focus-hold’ button on the side of the lens, which can be customised to control various other functions – I have mine set to control Eye AF. f/2.8 used to be considered sub-par for low-light photography, but with the high ISO capabilities of full frame cameras these days, it’s more than adequate. I find that many Sony full frame camera owners also own crop sensor compact cameras too. For those who love doing street photography and video shooting, you should buy this Sony 18-135mm e-mount zoom lens. … As well as low-light shooting advantages, the larger aperture of the 35mm f/1.8 helps to separate the subject, by encouraging sharp in-focus elements, and creamy out-of-focus elements. Sony a7RII + 24-70mm f/2.8 | © C-Gee Photography. The cameras used for testing were the full frame a7R III (reviewed here), the a7 III (reviewed here), and the crop sensor a6000 (reviewed here). If you’re just getting into photography, this is the lens for you. All in all, the 55mm f/1.8 is a gem of a lens to have in your camera bag… or indeed your jacket pocket, due to its diminished size/weight. The barrel is made from sturdy plastic, and the mount and filter thread are metal. 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